Past Commissions

An archive of awarded works

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Previous Festival Commissions

SO: To Speak Festival has a history of supporting local writers and performers through commissioned works. Each festival cycle, a theme is chosen and artists are invited to create original pieces that respond to it. Below is a record of past commissions and the artists who brought them to life.

2017 – Changing Times

Two commissions of £500 each were awarded under the theme Changing Times. Recipients Damian O'Vitch and Matt LT Smith created original works exploring transformation and the passage of time.

A third commissioned piece, the musical Jane Austen and the Waterman, was performed on Sunday 22nd October at The Dolphin Hotel.

View 2017 Commissions →

Earlier Years

Details of commissions from earlier festival editions are held in the festival archive. These projects span spoken word, theatre, live literature, and heritage storytelling — each reflecting the festival's commitment to celebrating words in all their forms.

For further information about past awarded works, please contact the festival team.

Over the years, the festival has nurtured a rich tradition of commissioning original works that explore the power of spoken and written expression. These past commissions represent a diverse cross-section of voices, from emerging poets and storytellers to established authors and performers. Each project has brought something distinctive to Southampton's cultural landscape, whether through intimate readings, interactive workshops, or bold stage performances. The archive reflects a commitment to celebrating language in all its forms, from poetry and fiction to memoir and dramatic monologue. By supporting writers at various stages of their careers, these commissions have helped shape a vibrant literary community across the city.

Many of the commissioned works have taken inspiration from Southampton's unique character and history. Writers have drawn upon the city's maritime heritage, its bustling waterfront, and the stories hidden within its neighbourhoods. The festival has encouraged artists to engage with local landmarks, from the old town walls to the modern shopping districts, weaving contemporary narratives against historical backdrops. Some pieces have addressed themes of identity, belonging, and change, while others have explored more playful or surreal territory. This place-based approach has ensured that each commission feels rooted in the community it serves, creating meaningful connections between artists and audiences.

The range of formats among past commissions is notably broad, reflecting the festival's inclusive vision of what literature can be. Stage productions have brought poetry to life through performance and movement, while intimate café readings have fostered direct conversation between writers and listeners. Workshop-based commissions have invited participants to explore their own creative voices, often culminating in shared showcases. Digital and multimedia projects have pushed the boundaries of traditional storytelling, incorporating sound, image, and collaborative techniques. This variety demonstrates a belief that words can find their audience through many different doors, and that the festival's role is to open as many of those doors as possible.

Looking back at the archive of past commissions reveals a sustained commitment to nurturing talent and taking creative risks. Many writers who received early support have gone on to develop fuller bodies of work, publish books, or lead their own community projects. The festival has also prioritised accessibility, ensuring that commissioned events reach a wide audience regardless of background or prior engagement with literature. Partnerships with local venues, libraries, and cultural organisations have been central to this effort, embedding the festival within the everyday life of the city. These past works form a foundation upon which future commissions will continue to build, keeping Southampton's festival of words alive and evolving.